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Arts & Culture > Theatre Forms > Burra katha
        

BURRA KATHA

Burra Katha is a popular and most extensively used ballad form in Andhra Pradesh. If fuses in itself the dramatic and narrative, the musical and recitative and the serious and humorous ways. In fact, Burra Katha is known to be the only perfection of the narrative form in both content and presentation. A chief narrator assisted by two others presents the story. Burra Katha gets its name from "Burra", the percussion instrument used in the narrative.

The chief narrator coordinates the narration, description, explanation, humorous comments and anecdotes. He leads the story by combining the forms of dance, action, narration and music. His costume comprises of a long angarkha, a turban and a waistcloth alternating in colors of red, green and yellow. He also wears a garland of pearls around his neck, bells as anklets and a feather on his turban.

The two assistants called "vanthas" give their chorus and also provide the rhythm, with a small drum, to the narration. Of these one acts as the ‘hasyagadu’ (humour man) clad in a multicolored attire with ash spread on his forehead. He poses criticism to the actual story by connecting it with the past of the story in a humorous way. The main narrator in response proves and emphasises the validity of the story and the importance of the message. The other vantha dressed in a simple angarkha and kurta provides a political thrust to the story by explaining and emphasising the message stressed by the chief narrator.

Burra Katha was actually developed to create social awareness by conveying contemporary messages. However, traditional stories like "Bobbili Katha" and "Palnati Yudham" are also recited. Government has used it as a medium for carrying out the message of family planning to the rural masses. Burra Katha with its intrinsic freshness and rich presentation has been an effective medium to communicate for various developmental, political and other purposes.


Theatre Links
Burra Katha
Chiratala Ramayanam
Kalaapam
Pagati Veshalu
Vaalakam
Veedhinaatakam
Yakshagaanam
Tolubommalata

 

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